Last Night in Tokyo, by Kali Myers

Kali is a Perth-born, Melbourne-based writer, researcher, blogger and occasional ranter. Her work concerns violence, fairy tales, power, and representations of women. Her writing has previously appeared in FeminartsyOverland online, and on a number of other blogs and scholarly journals. You can tweet to her @pickwickian36.

This story first appeared in Issue 14. Please support our work and buy a copy today.

Last Night in Tokyo

“What’s that noise?”

“An alarm.”

“An alarm?”

“Well yes I assume so.”

“So there’ll be someone here soon then.”

“Maybe, maybe not.”

“But there’s an alarm.”


“So… people. The alarm will… raise the alarm. You know; someone breaks in, alarm sounds, cops; all that.”

“Security alarms are usually silent.”

“What are you talking about?”

“They’re usually silent. Why would you give someone you want to catch advanced warning?”

“What? Alarms are loud and noisy to scare people away. The alarm at my mum’s always brings the neighbours running.”

“Does this look like a house to you?”


“Does this look like a house to you? It’s not—it’s a government building. Government buildings don’t make noise. They have those silent alarms that just make the buzzing noise in the security room so the guards know something’s up.”

“Umm… OK. So then Dr Professor…”

“Dr Professor?”


“What’s a Dr Professor?”

“Fuck, I don’t know. Smart arse then. Captain Fucking Brilliant. Einstein. Take your bloody pick.”

“My pick of what?”

“Gah! Of nothing. OK.”

“OK… were you asking a question?”

“Yes! Yes I was asking a question.”

“What was it?”

“About the alarm.”

“Ah yes. That. Still going. What about it?”

“Well if it’s not a damned burglar alarm and there’s no cops coming—we should totally be hiding though—then what the hell is it?”

“Oh, I don’t know. Fire?”


“Yeah could be.”

“Fire? Fucking fire? There could be a fucking fire alarm going off and you’re just standing there.”

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Making Noise: Part Two, by Megan McGrath

Megan McGrath is the author of the novella, Whale Station, and winner of the 2015 Queensland Literary Awards Premier’s Young Publishers and Writers Award. Her acclaimed short work is published in literary journals and anthologies including Griffith REVIEW, Meanjin, Seizure, Tracks, Writing Queensland and Tincture Journal, among others. Follow Megan on Twitter @megansfictions or visit her website

This is the second in a three-part series of columns on literary jealousy. This part appeared in Issue Fourteen and the rest will appear in the journal throughout the year. Please support our work and buy a copy today.

The Paper-House

I’m pushing along with the novel at a rate of two thousand words a day, buoyed by a weekend writing retreat that unlocked a few plotting secrets and changed the way I’ll write forever. It helps too that I’ve been reading rubbish books. Popular books by mid-career authors who have found a way to publish their mediocre writing about mediocre characters in mediocre towns, and I think if I can just keep going I might be able to break the back of this stupid long thing I’m trying to write. I think that if I can finish, maybe, I’ve got a shot at being ordinary, too. Somehow I’ve managed to make myself believe that being just OK and published is good enough.

But then I realise I don’t much feel like settling anymore.

When has OK been good enough for me, or for my writing? I realise I have 30,000 words of rubbish writing and an express ride back to uncertainty.

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