Stuart Barnes is the poetry editor of Tincture Journal. His first collection Glasshouses (UQP, 2016) won the 2015 Arts Queensland Thomas Shapcott Poetry Prize, was commended for the 2016 FAW Anne Elder Award, and was shortlisted for the 2017 ASAL Mary Gilmore Award. He’s translating Imma Tubella’s Un secret de l’Empordà into English. He tweets @StuartABarnes.
In last issue’s editorial, Daniel Young wrote about his “recent preoccupation with landscape metaphors”, and while writing this editorial it was impossible for me not to be preoccupied with landscape: Tropical Cyclone Debbie made landfall as a category four system on 28 March near Airlie Beach, approximately 480 kilometres north of Rockhampton, where I live. Subsequently, the Fitzroy River flooded, peaking on 6 April at 8.75 metres.
Daniel Young interviewed Issue Four contributor Cher Chidzey to celebrate the release of her latest novel, Ken’s Quest (Threekookaburras).
This interview can be found in Issue Eighteen of the journal alongside a chapter from Ken’s Quest. Please consider buying a copy or subscribing to help support our work.
DY: Thanks for being part of our interview series and congratulations on the publication of your latest novel Ken’s Quest. Could you start by telling us a bit about your background and how you came to writing?
CC: I am the youngest of nineteen children, twelve girls and seven boys. My father Huat was born at the end of the Qing dynasty in Shantou, a fishing village.
Father and his three wives, four sons and eight daughters migrated to Singapore when the Japanese invaded China. I was born in a household of over thirty people, in a house built on stilts. Father relocated shortly after with my mother and her two sons and six daughters to a simpler dwelling in Serangoon Gardens, the stomping grounds of Australian and British military personnel.
Johannes Klabbers is a Dutch/Australian writer and posthumanist therapist, currently living in Europe. He is the author of I Am Here: Stories From A Cancer Ward (Scribe Aus/UK 2016), which tells the story of an academic in the Australian outback who takes a voluntary redundancy and reinvents himself as a secular pastoral worker in the largest cancer hospital in the southern hemisphere. The Australian described it as “wonderfully insightful”. His website is johannesk.com and he tweets @johklab, is on Facebook @johkla and blogs on Medium @johannesk.
Johannes Klabbers is thinking through what it could mean to write postfiction. This is the second of four postfiction pieces to be published in Tincture in 2017 (the first is available here). See also postfiction.space. Please consider subscribing to Tincture to support our work.
Of all the exotic and unusual cities in the world that I could have moved to, I find myself in a place with which I am intimately familiar while at the same time being disconcertingly strange.
It is strange because it ought to be familiar—and then it can be suddenly and unexpectedly familiar when it should be strange. It is familiar because I was born here, almost sixty years ago, and I lived here until I was fourteen. Since then I have visited briefly a few times while learning how to be an adult in England and then Australia. It is strange because half the town is no longer there. It was demolished and rebuilt and now it is being partially demolished again and refurbished to make it look more like every other big shopping mall in the world instead of some dreamy Dutch architect’s imperfectly executed vision from the sixties when town planners predicted that no one in the twenty-first century would be riding bicycles.
Issue Eighteen is available now on our website and all the usual e-book stores. Subscribe now and or buy the single issue.
Here’s what’s inside:
- Editorial, by Stuart Barnes
- Moederland: Part Two: Memorable Humiliations, by Johannes Klabbers
- Volta do mar, by Felicity Plunkett
- Political Reflections: Part Two: Trump’s Inauguration, by Alexandra O’Sullivan
- Ode to Mortality Composed on the W90, by Jill Jones
- Mounting Sexual Tension Between Two Long-Time Friends; Tom Knows That Ant Is A Spy But Ant Doesn’t, by Elizabeth Tan
- Apology, by Liam Ferney
- The Real Ryan O’Neill, by Dave Drayton
- Judith Arundell Wright, by Dave Drayton
- The Waxworker, by Nick Marland
- Interview with Cher Chidzey, by Cher Chidzey and Daniel Young
- Queen Victoria Market: an extract from Ken’s Quest, by Cher Chidzey
- Beetroot, by Irma Gold
- The Lady in the Bottle, by Rozanna Lilley
- Mother Tongue, by Eda Gunaydin
- Reality Check, by Peter Bakowski
- The Back of My Father’s Neck, by Anna Ryan-Punch
- Portrait of the Artist Dressed as His Mother, by Craig Billingham
- Conjugate, by Mark Ward
- Silly Money, by Craig Burnett
- Corymbia / Evergreen, by Andrew Galan
- Cul-de-sac Back, by Kevin Del Principe
- Property of Holloman Aerospace Medical, by Benjamin Dodds
- Beijing, by Stephen Smith
- Objects, by Catherine Vidler
- Candle in the Wind, by John Sheng (translated from the Chinese by Ouyang Yu)